This is an example of a Script Review. Screenplays are able to receive Script Reviews after they have finished (completed the Script phase). The goal of the Script Review is to give a more detailed evaluation of the screenplay, including comments on the overall idea, structure, story execution, characters, and script. A Script Review will help the writer(s) understand how well they executed the screenplay and also give the Open Screenplay community an idea of its quality.
Started by: Daniel Pearson
Public
Title:
FOOL’S GOLD
Logline:
A man comes back home after 14 years overseas to reconnect with his family.
Theme:
Don’t be afraid of people.
Setting:
New England
Main Genre:
Drama
Subgenre(s):
family, suspense
Type:
Short Film
Time Period:
Current day
#Pages:
118
Overall Rating
3
Strengths
What are the strengths or what is working well in the script? if none, write "none."
Concept 18% of Overall Score
Idea
How fresh is the idea for the screenplay?
Somewhat fresh
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How many moments are there is the screenplay that show the idea?
Many
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Any other comments on the screenplay's idea?
Genre
Is the stated main genre delivered in the screenplay?
How much is the stated main genre show throughout the script? (How funny, scary, thrilling, moving, etc.)
Often
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Any other comments on the Genre?
Title
How effective is the title?
Average - usable as a title but could use improvment
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Any other comments on the screenplay's title?
Theme
Does the stated theme apply to- and give a greater meaning to what written in the script pages?
Fair - either applies or adds meaning but not both
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Any other comments on the screenplay’s theme?
Are there enough visuals to merit the idea being on screen (instead of a different medium such as a stage play)?
Overall rating for the screenplay's concept:
Structure 20% of Overall Score
Does the screenplay have a clear 3 Act Structure (beginning, middle, end)?
Does Act 1 introduce the Protagonist, set up the world, and end with an event that launches the Protagonist into the Act 2 problem?
Somewhat
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Does Act 2 show the idea, adventure and give the audience an experience?
Somewhat
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Does Act 3 include an appropriate resolution, battle, or climax to the story?
A little
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In your best guess, approximately what percentage of the material is NOT necessary to the story?
31-50% of the material is unnecessary
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Overall rating for the screenplay's structure:
Any other comments on the Structure?
Story Execution 20% of Overall Score
How much of the story follows or is about the stated Protagonist?
Most of the story
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Does the Protagonist pursue a clear goal?
Goal is somewhat clear
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How much pressure is put on the Protagonist to achieve the goal?
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Are the stakes (what will be gained or lost if the goal is achieved or not) for the Protagonist clear?
Mostly clear
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Does the Influencing Character help change the Protagonists character flaw, aid them in their goal, or have some sort of relationship with them that evolves?
A little
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How often does the Opponent present obstacles in the story?
Sometimes
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Overall rating for the screenplay's story execution:
Any other comments on Story Execution?
Characters 20% of Overall Score
Is the Protagonist more active or reactive in the story?
Is the Protagonist compelling enough to make us want to watch them for the entire story?
Somewhat compelling
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Does the Protagonist have the necessary amount of distinct character traits (dimensionality) for the story?
Somewhat has the appropriate amount of traits
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In the story does the Protagonist show an active, visible, non-internal character flaw?
A little
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Does the Protagonists character flaw change in some way throughout the story?
If an Influencing Character is included in the story, does that character show appropriate traits to help change the Protagonist92s character flaw?
Somewhat
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If an Opponent is included, is that character compelling enough in the story?
Compelling
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Overall rating for the screenplay's characters
Any other comments on Characters?
Script Work 12% of Overall Score
How is the dialogue?
Good
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How much of the exposition or backstory included is necessary for the story?
Some included exposition and backstory is necessary, some is not
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Are the montages or series of shots included necessary for the story?
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Are the flashbacks included in the script necessary for the story?
Most included flashbacks are all necessary or helpful
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How much telling instead of showing is there in the script pages? [include a question mark and pop-up explanation if clicked]
A little
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Are there internal words in the scene direction (like “thinks,” “realizes,” “feels,” “hopes,” “senses,” “wants,” etc.)?
Some
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Are most of the scenes an average of 1-2?
Does the screenplay avoid camera angles unless necessary?